Guess what? I also like “Frozen!”
One of the nice things about having your own film blog is that you don’t have to worry about generating clicks on your website, so that when your way too late, too short, and positive, but mildly measured review of “Frozen” is published, it doesn’t matter that nobody will read it. So let me be the billionth person to say that I like the film and think it is pretty good. I don’t really have anything new or interesting to say about the film, and more importantly I have no interest in trying. So here it is in brief:
“Frozen” is high-end Disney pop art, littered with great music, compelling digital animation, mostly rich characters and a Bechdel-test passing narrative about the powers of sisterly love, which by Disney standards is crazy, Dennis Kucinich-level progressive. The film isn’t without its flaws (there is some unearned tear bait in the film and an absurd character turn which was downright shamelss. Also, if your daughter has ice powers, maybe teach her how to control them instead of locking her in a room and say, “Try not to kill anybody,”) but by and large these are minor issues or are simply inherent to corporate filmmaking as a whole and gender politics at-large. “Frozen” does everything that you would expect it to, plus a little more.
(I’m not bothering with a summary of the narrative setup. You either know it, don’t care, or can find out from one of the gaggle of people in your life that have seen it.)